Documentary: Displacement & Resilience

Conflict, migration and the experience of exile

The 2019 IAWRT documentary, Displacement & Resilience: women Iive for a new day, is on the theme of the worldwide refugee crisis and rising intolerance and polarisation all over the world.

As in previous years, IAWRT put out a call for proposals for the 'Long Documentary', a collaborative film helmed by the person whose proposal is selected, and made with contributions from members across the globe. The proposal selected by the Board  came from Chandita Mukherjee of India who was asked to be the Executive Producer.

In turn she put out a second call for stories from IAWRT members, and the project came together. Film makers from Philippines, Tunisia, Canada and India came forward with stories about women refugees forced to flee from their countries and take shelter in unknown lands and internally displaced women who remain in their own countries, but whose lives are dislocated.

The documentary film has already won one award at the 2nd Asian Short Film Festival, in Kolkata, India.

As the stories came in from the four country directors, bringing out the state of the women caught in conflict, it became apparent that the focus of this documentary film would be centred on the resilience of women refugees.


Chandita Mukherjee is the executive producer of Displacement & Resilience: women live for a new day. She likes to explore the different ways that people understand the world and act on it. She tries to communicate this through her non-fiction film practice and to sensitise audiences through the self awareness such knowledge creates. Apart from the final edited version of the film, Chandita also co-directed the Rohingya segment. 




Erika Rae Macapayag Cruz from the Philippines tells the story of two communities from Mindinao island in the Phillipines.

They are struggling to protect their land from being grabbed by agencies seeking to evict the people in order to exploit the natural resources. We learn about internal displacement through the eyes of two articulate women chieftains, Bai Bibyaon of the Lumad community and Bai Ellen of the Matigsalug people.



Afrah Shafiq (India) has produced a portrayal of the lives in exile of Tibetan refugees living in Dharamshala, a valley in India, just across the Himalayas from Tibet.

The story of a refugee movement sustained through 60 years is told through Namgyal Dolkar Lhagyari, a young elected member of the Tibetan government-in-exile's parliament. She and her colleagues work to make the world aware of the human rights violations against prisoners of conscience in Tibet and the struggles being carried out there.


Khadija Lemkecher (Tunisia) has produced a refugee story of a woman from Ghouta in Syria.

Haifa and her extended family escaped the war in their homeland on a ship and found refuge in Tunis. Here she works through the day in a series of part-time jobs as cook and house cleaner, bringing up her children as best she can without her husband, who disappeared in an inexplicable episode of political kidnapping. 




Eva Anandi Brownstein (Canada) looks at the Syrian diaspora in the process of re-settlement in another distant land, Vancouver, Canada.

A group of formerly home-bound Syrian refugee women overcome their isolation in a foreign land through a food collective called Tayybeh, which specialises in Syrian regional cuisines.They cater to dinners at public events, run a food truck and learn to conduct a business with the discipline it entails.



Archana Kapor of India and Chandita Mukherjee travelled to Rohingya encampments in Delhi and Haryana in India, to bring us women’s accounts of their escape from the violence of the genocidal attacks by the Myanmar armed forces and vigilante groups. 

We also get a glimpse of the massive humanitarian activities of the UNHCR, through Sumbul Rizv, the senior UN Coordinator based at Cox's Bazaar, Bangladesh which is 'home' to 920,000 refugees.


A pre-final version of the film was previewed at the IAWRT Regional Conferrence in Kampala, Uganda, in October 2018,


Displacement and Resilience premiered on March 5th, 2019 at the 15th IAWRT Asian Women's Film Festival, New Delhi.

Chandita Mukherjee, the Executive Producer was joined by the contributing directors from India, Archana Kapoor and Afrah Shafiq for interactions after the screening. The film received a warm response from the packed hall and was decribed by one reviewer as a timely documentary "that is as intelligent as it is poingnant."

"It does not lose the edge of facts and stats while bringing to the forefront the emotionally  charged traumas of its subjects. In the current xenophobia and anti-immigration sentiment brimming over the surface across developed and developing nations, 'Displacement and Resilience' is an urgent reminder and call to action."

Subsequent Screenings

2nd South Asian Short Film Festival, Kolkata, organised by the Federation of Film Societies of India, on March 23rd, 2019. Here it received the award for best documentary in the 40-60 minutes category, called the P.K. Nair Award.

"Homeless and country-less, refugees pay the price for wars and purges. The film takes us deep into their psyche and focuses on the humanitarian work being done for their rehabilitation."  P.K. Nair Award, jury citation

IAWRT India Board member Mausumi Bhattacharyya took the initiative to arrange more screenings in Kolkata; these included:

Kolkata Press Club: March 23, for media practitioners. Despite the pre-occupation with the general elections at the time, this was a good screen with wide-ranging questions on issues of identity and citizenship.

Rabindra Bharati University: March 25, 2019, morning screening with post-graduate students, jointly hosted by the Departments of Women's Studies, Human Rights and Media Studies.

St.Xavier's University, Kolkata: March 25, 2019, afternoon, screening at Mass Communication Department,  with students of both undergraduate and post-graduate courses present.

Satyajit Ray Film & Television Institute, Kolkata: April 1, 2019. Prize-winning films from the South Asian Short Film Festival which had just ended, were screened for students of the six disciplines of film-making taught there.
York University, Canada May 14th, 2019, Screening at the conference of the Canadian Association for Refugee and Forced Migration Studies at the Centre for Refugee Studies, York University. This was primarily to an audience of academicians and students. The screening was followed by a discussion.

 "People thought it was very beautiful and they appreciated the breadth of forced migration that was represented, and how women were depicted as leaders and resilient problem solvers, not just victims."  Conference organiser, Michaela Hynie

Film and Television Institute of India : at Pune May 24th, 2019. Screening at the Film Appreciation Course of Summer 2019
This annual four week course is held at India's premier institute of film making and has the aim of encouraging an informed level of writing about film in the media.  Participants included journalists who write on film, television and new media, language and literature teachers and film society activists.
The four 10-12 minute films sent by the film makers from Philippines, India, Tunisia and Canada were screened, followed by the final edited version and it gave rise to an extended discussion. The course participants were enthusiastic to discuss the possibilities of collaborative film-making in the future, using the possibilities of the internet, that would allow local stories to be told by local people, familiar with the particular language and culture as has been done in Displacement and Resilience.
Godrej India Culture Lab, Mumbai June 8th, 2019. Part of a special day-long event, called Migration Museum.This enquired into migration through conversations, poetry, films and art. It explored issues of identity in the context of migration. This was the graduation project of the second batch of Godrej India Culture Lab's Leadership Programme which aims to train managers of cultural institutions. The film was very well received by the audience of 450.
Displacement and Resilience is invited for screening at the Madurai International Film Festival, in India in December. Chandita Mukherjee is being honoured with a retrospective at this festival, where she will show five hours of past work ending with the IAWRT global production.